手すり子/ Baluster
欄干/ balustrade
マニエリスム:複雑な形状。花瓶状の形状を重ねたものと解釈できる。
バロック様式:いかり肩で太くリズミカルな形状。
新古典主義:簡素。ギリシアのアンフォラにも似ている。
This is a historical artists database. You can overview an artist works by clicking "Google Images" and "Wikipedia" of each post.
Please read "Art Movements" at first.
Web site: The Modern Museum
Referece: WikiArt, ノラの絵画の時間, FreeArt
手すり子/ Baluster
欄干/ balustrade
マニエリスム:複雑な形状。花瓶状の形状を重ねたものと解釈できる。
バロック様式:いかり肩で太くリズミカルな形状。
新古典主義:簡素。ギリシアのアンフォラにも似ている。
アール・ヌーヴォー:花や植物などの有機的なモチーフや自由曲線の組み合わせ、鉄やガラスといった当時の新素材の利用(19世紀末から20世紀初頭)
アール・デコ:幾何学図形をモチーフにした記号的表現や、原色による対比表現など(1910年代半ばから1930年代)
坂田 桐子「選好や行動の男女差はどのように生じるか」2014
https://www.jil.go.jp/institute/zassi/backnumber/2014/07/pdf/094-104.pdf
・「管理職に昇進すると仕事と家庭の葛藤が大きくなる」という予想が女性の昇進意欲を削ぐ可能性は高い。STEM(science, technology, engineering, mathematics)領域においても同様。
・「仕事と家庭の両立の困難さ」による説明には限界もある(看護職など)
・女性:罰感受性(罰を回避する傾向)/男性:刺激希求、リスクテイキングの高さ/職業興味の男女差
「性的表現と性犯罪/性的攻撃性」の関係~最先端の科学的知見に迫る~
https://note.com/teshima_kairei/n/nb86567d83298
表現悪影響論を支持する書籍『フィクションが現実になるとき』の批判的検討
https://note.com/teshima_kairei/n/n67ace263ac73
https://feralthinker.medium.com/how-the-church-tolerated-nudity-in-renaissance-art-9dfc9eb5e41f
Mason West, Dec 24, 2018
Through the dark ages the Church preserved the art, books, and ideas of the ancients as the essence of Western civilization. As the Renaissance brought these materials to light for the first time in centuries, the ancient gods and myths weren’t viewed as divinities and scripture, which would have been a heresy in strangely monotheistic, triune Christianity, but as allegories imbued with the wisdom of the ancients.
Another element of the Classics, especially the Greeks, was their comfort with nudity. In Greek athletics the physically perfect human bodies were considered evidence of the transcendence of humans toward divinity. So, for example, a Roman bust of Julius Caesar places Caesar’s head atop a torso with six-pack abs: the idea isn’t so much that Caesar had a great body but that he was a demigod.
When the Renaissance happened, the Church scriptoria’s vast collections of texts and art, nipples and all, paved the bridge to the ancients. The idea was to pick up civilization where the Classical civilizations had left off.
Consequently, a Church and society that were patriarchal, authoritarian, and prone to aversion to nudity tolerated it, beginning with Botticelli’s The Birth of Venus (1486). Shortly thereafter, in 1510, Giorgione painted a sleeping Venus, an allusion to the myth of Cupid, Psyche, and Venus. Giorgione died before he finished his painting, so his student, Titian, finished it. Thus began a long history of reclining or sleeping Venus images that culminated with Manet’s Olympia (1863).
Everything about Olympia, beginning with her name, mocks the Neoplatonic tradition from which artists had derived their license to paint the world’s beauty. The picture openly defied the respect to Classical arts that had provided a rationale for nudity in art. For most artists, the Neoplatonic movement with its allegories and adoration of ideas and ideals, had been a kind of hypocrisy, a false conversion, or a marriage of convenience all along. Olympia’s physical build looks normal to us now, but in the mid-nineteenth century she looked shockingly anorexic though perhaps typical of women in the Red Light district. She looks out of the canvas directly and shamelessly at the viewer as if to say, “Yes, I, Olympia, am not a goddess but a whore!” Indeed, her maidservant is handing her a bouquet of flowers from a newly arrived gentleman caller.
Francesco Primaticcio’s painting of a nude man and woman in bed together, under the guise of Ulysses and Penelope (c. 1563), is no exception to that history. And that history depicts a long conflict between an authoritarian patriarchal ruling class, which equates the feminine with shame, and a matriarchal, life-giving force, which equates femininity with beauty.
— International Women’s Day, 2017
性同一性障害と同性愛は別概念。男らしさ、女らしさ、異性装とも別概念。
〇性同一性障害:ウィキペディア。性分化疾患。戸籍の性別変更の条件として性別適合手術を条件としている国が多いが、当事者の性の意識は性染色体や内外性器からも独立していることがわかっている。
原因:解明されていないが、『身体的性別とは一致しない性別への脳の性分化』が有力。分界条床核と間質核の第1核とが、人の性同一性(性の自己意識・自己認知)に関連しているとみられる示唆がある。また、性ホルモンに関わる遺伝子に特徴が示されている研究結果もある。
〇同性愛:ウィキペディア:相手があって成り立つ。疾患ではない。自身の性に違和感を持っているわけではない。
原因:自律神経をつかさどる脳の機能に規定されている可能性が有力。自分の意志で決めて選択した結果ではない。
・性的指向:ウィキペディア:生来不変である先天的性質であり、自発的選択の結果得られた後天的性質である性的嗜好とは心理学的研究で区別されている。
・同性婚:ウィキペディア
〇Dopamine
ウィキ:中枢神経系に存在する神経伝達物質で、アドレナリン、ノルアドレナリンの前駆体でもある。運動調節、ホルモン調節、快の感情、意欲、学習などに関わる。
〇Dopamine and Music
Valorie N Salimpoor, Mitchel Benovoy, Kevin Larcher, Alain Dagher & Robert J Zatorre, "Anatomically distinct dopamine release during anticipation and experience of peak emotion to music", Nature Neuroscience volume 14, pages257–262(2011)
Published: 09 January 2011
- Our experience of the music we love stimulates the pleasure chemical dopamine in our brain.
- Just the anticipation our favorite passage stimulates the production of dopamine.
- The chills* moment can be used to objectively index pleasure.
*: musical frisson
- Each chill-susceptible music lovers were provided ten pieces of instrumental music that set them off in some way. The genres included tango, techno, punk, rock, electronica, jazz, folk.
- Hemodynamic activity in the regions showing dopamine release was not constant throughout the [musical] excerpt, but was restricted to moments before and during chills.
・「ホンマでっか!? TV」出演の医学博士が説く、音楽が心と身体に与える影響:[前編]/[後編]
・音楽で鳥肌がたつのはなぜ?~私達に必要不可欠なドーパミン~
・ゾクゾクする音楽の神経科学研究レビュー 〜鳥肌感とドーパミン〜
- 鳥肌感を感じている際に 線条体でのドーパミン分泌 が確認された。
- 鳥肌感 (例えばサビ) を期待する時には尾状核が、実際に感じている時は側坐核が活動しており、期待フェーズと体験フェーズに異なる神経メカニズムが存在する。
〇自然の造形
https://natgeo.nikkeibp.co.jp/atcl/web/15/360768/102000012/
〇プロダクトデザイン
https://www.pinterest.co.uk/mame_sun/%E7%BE%8E%E3%81%97%E3%81%84%E9%80%A0%E5%BD%A2/
〇アクセサリー
https://www.pinterest.jp/npopaokd/%E7%BE%8E%E3%81%97%E3%81%84%E9%80%A0%E5%BD%A2/
〇キャラクター
https://ameblo.jp/summer-raptor/entry-11483305312.html
美人:ウィキペディア(黄金比説、白銀比説、平均説)
Physical attractiveness:https://en.wikipedia.org/wiki/Physical_attractiveness
平均顔仮説/averaged faces:本ブログ
http://arthistorydata.blogspot.com/2018/05/blog-post.html
neotenized (i.e., youthful looking)/"babyish" (pedomorphic) /neotenous faces
Dry Garden in Ryoanji (Kyoto, Japan)/ 日本語: 日本・京都の龍安寺石庭: https://commons.wikimedia.org/wiki/File:RyoanJi-Dry_garden.jpg
東福寺 龍吟庵 東庭: https://ja.wikipedia.org/wiki/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%AB:TofukujiRyoginanToutei.jpg
Daisen-in stone garden Horaisan mountain in Daitokuji: https://commons.wikimedia.org/wiki/File:Daisen-in2.jpg
Daisen-in stone garden Nakaumi in Daitokuji: https://commons.wikimedia.org/wiki/File:Daisen-in3.jpg
Saihouji (kokedera) pond: https://commons.wikimedia.org/wiki/File:Saihouji-kokedera01.jpg
Silver Pavilion at Ginkakuji, a Buddhist temple in Kyoto, Japan: https://commons.wikimedia.org/wiki/File:Ginkakuji-M1953.jpg
Stone garden in the karesansui style, Ryōan-ji temple in Kyoto, Japan: https://commons.wikimedia.org/wiki/File:Ryoanji_rock_garden_close_up.jpg
Garden of the Blissful Mountain at Zuiho-in, a subsidiary temple of Daitoku-ji, Kyoto, Japan. Zuiho-in was established by the Christian daimyo Ōtomo Sōrin: https://commons.wikimedia.org/wiki/File:Daitokuji-Zuihoin-Zuihotei-M1827.jpg
Garden of the Cross at Zuiho-in, a subsidiary temple of Daitoku-ji, Kyoto, Japan. Zuiho-in was established by the Christian daimyo Ōtomo Sōrin: https://commons.wikimedia.org/wiki/File:Daitokuji-Zuihoin-M1836.jpg
https://commons.wikimedia.org/wiki/File:Korakuen_Okayama26s3872.jpg
https://commons.wikimedia.org/wiki/File:Zuihou-in2.JPG
https://commons.wikimedia.org/wiki/File:Toufuku-ji_hojyo5.JPG
https://commons.wikimedia.org/wiki/File:Harima-ankokuji-sekitei01.jpg
https://commons.wikimedia.org/wiki/File:TofukujiGarden1.jpg
https://commons.wikimedia.org/wiki/File:Toufuku-ji_hojyo3.JPG
https://commons.wikimedia.org/wiki/File:Toufuku-ji_kaizandou3.JPG
https://commons.wikimedia.org/wiki/File:TofukujiReiunin1.jpg
https://commons.wikimedia.org/wiki/File:Toufuku-ji_hojyo4.JPG
https://commons.wikimedia.org/wiki/File:ReiunIn_GaunNoNiwa.jpg
https://commons.wikimedia.org/wiki/File:Shitennoj_honbo_garden06s3200.jpg
https://commons.wikimedia.org/wiki/File:Japanese_Tea_Garden_(San_Francisco,_California).jpg
https://commons.wikimedia.org/wiki/File:Portland_Japanese_gardens_zen_garden.jpg
https://commons.wikimedia.org/wiki/File:Anyoin02_1024.jpg
https://commons.wikimedia.org/wiki/File:RosanjiTeien.jpg
https://commons.wikimedia.org/wiki/File:Adachi_Museum_of_Art04st3200.jpg
https://commons.wikimedia.org/wiki/File:MyoshinjiTaizoin2.jpg
https://commons.wikimedia.org/wiki/File:Komyozenji_Stone_garden_1.JPG
https://commons.wikimedia.org/wiki/File:Jissoin-Temple-Stone-Garden.JPG
https://commons.wikimedia.org/wiki/File:Japanese_Rock_Garden_Chandigarh_1.jpg
https://commons.wikimedia.org/wiki/File:Japanese_Rock_Garden_Chandigarh_2.jpg
https://arthistorydata.blogspot.com/2018/10/blog-post_1.html
https://arthistorydata.blogspot.com/2018/10/hakuin-ekaku.html
http://arthistorydata.blogspot.com/2018/10/blog-post_97.html
http://arthistorydata.blogspot.com/2018/10/bada-shanren.html
http://arthistorydata.blogspot.com/2018/10/blog-post.html
http://arthistorydata.blogspot.com/2016/05/blog-post.html
http://arthistorydata.blogspot.com/2017/05/blog-post_28.html
http://arthistorydata.blogspot.com/2016/05/blog-post_48.html
http://arthistorydata.blogspot.com/2016/05/blog-post_64.html
約3万2000年前、ショーヴェ洞窟 |
30,000 to 32,000 years ago |
20,000 years ago, Altamira, Spain |
17,000 years ago, Lascaux |
between 13,000–9,000 BP or c. 7300 BC. Argentina |
7000 BP, Egypt |
Western Australia, 15,000 BC |
Mother of Moses, 1860 |
The Beloved, 1865–1866 |